There is little connective tissue in Jaws’ sequels, outside of the series’s central characters, the Brody family. You never see as much as a fin in Jaws’ terrifying, all-time-great opening sequence. What could’ve been a well-made but schlocky creature feature instead became a master class in suspense, where the less you saw, the scarier the film was. One of the most infamous tales from Jaws’ historically troubled production had to do with the creature itself: The mechanical shark was notoriously dysfunctional, so Spielberg had to pivot away from showing it for much of the movie. But it’s the way Jaws presented its shark-or rather, didn’t-that pushes your imagination in such a dramatic direction. It might seem silly to get that scared by a movie, even one based on an over-the-top, fictitious version of a great white shark. And as my parents would recall, Jaws freaked them out enough in the ’70s that swimming in a pool would give them jolts of adrenaline.
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You can’t overstate the effect the movie has on a first-time viewer: For months, I would instinctively play John Williams’s legendary theme in my head and, being an idiot, scare myself. ‘Jaws’ Is the Perfect Blockbuster The Shark Movie Matrixįor anyone who’s fond of the beach, Jaws presents a terrifying concept-amplifying the primal thrill of not knowing what’s in the ocean by adding a predator that is, in extremely rare cases, capable of killing a person.
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(I am 27, and instead of creating one of the greatest movies ever made, my finest achievement is perhaps learning how to assemble IKEA furniture without having a complete breakdown.) But there is so much of Jaws’ rich legacy that is steeped in allegory-including the unfortunate prescience of Amity Island’s mayor, a man willing to risk the lives of his constituents to keep business booming, and the progressive ways in which the movie grappled with masculinity-that one can overlook what was so appealing about the film in the first place: the big-ass man-eating shark. Among the many legacies of Jaws, which turns 45 this year, the superlative film is responsible for ushering in the era of the summer blockbuster and putting a then-27-year-old director on the map. Welcome to The Ringer ’s Return to Summer Blockbuster Season, where we’ll feature different summer classics each week.Īs someone born in the ’90s, it’s hard for me to imagine a time before summer blockbusters were a thing or Steven Spielberg was a household name. 2020’s summer blockbuster season has been put on hold because of the pandemic, but that doesn’t mean we can’t celebrate the movies from the past that we flocked out of the sun and into air conditioning for.
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